Infra offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo…
Richard Mosse // Unworldly Goods
On my first day photographing Japan’s tragic tsunami, someone told me they had found a samurai sword in the rubble
Richard Mosse // Haiti Tent Cities
Shooting with a wooden 8×10 inch camera dictates a quieter, subtler and more patient approach to looking at Haiti’s tragedy…
Richard Mosse // Breach
These extraordinary images show the imperial palaces of Saddam Hussein converted into temporary housing for the U.S military…
Richard Mosse // Nomads
These are American and Japanese vehicles in the Iraqi desert landscape, a family-size Chrysler minivan blown apart like a Giacometti sculpture…
Richard Mosse // The Fall
The Fall draws on a crystallization of themes surrounding the air disaster. Archaeology. Antiquity. Environment. Ecology. Landscape…
Richard Mosse // Nada Que Declarer
This was a project made on the US-Mexico border looking for traces of the people crossing the border illegally…
Richard Mosse // Airside
Airside attempts to locate the air disaster within our cultural imagination. In the place of accident, it reads disaster as willing and anticipated, formally realised and rehearsed…
Richard Mosse // 30 Seconds Over Syria
Damascus bursts into a frantic exciting street party when the festival of Eid breaks the long painful fast of Ramadan…